So what did I think of RHS Chelsea Flower Show 2014? Well I thought the show gardens were on the whole of a high standard although there was still an element of sameness despite the well publicised inclusion of a number of younger designers but then again there are only so many formats you can adopt with a show garden and I think we have become very spoilt in recent years. It was nice this year that there wasn’t as much cow parsley or similar in the gardens but there were definitely plants that recurred time and again in the gardens. I think the image above of the Potters Garden demonstrates many of the favourites this year: white foxglove, vibrant blue Anchusa azurea Loddon Royalist and fluffy white Anthriscus ‘Ravenswing’.
There was a lot of low to mid level herbaceous planting with the occasional short grasses mixed in for movement. The only real height was from the trees and the topiary which is always very prevalent. I would have liked to see more variety of heights in the planting but that’s just me and I think this is one of the reasons I like Paul Hervey-Brookes’ Italian Renaissance Garden.
As ever the show gardens of the experienced designers, I nearly put veterans but I wouldn’t want to offend, were immaculate with a level of attention to detail that you really don’t appreciate until you have spent a day or two trying to emulate it. I liked the Cleve West garden which displayed Cleve’s obvious plant knowledge with drought tolerant planting included at the front of the garden before you move into the shady main area of the garden with the water rills. However, I think I have come to expect this level of expertise from Cleve so my interest was more in the less experienced designers.
I really liked the Vital Earth Garden designed by David and Harry Rich, among the young designers, and was pleased to see they were awarded a silver-gilt. I liked the use of the rusty reds of the verbascums which picked up on the red on the dry stone wall and the red in background hedge. The garden referenced the Brecon Beacons and the fact that it is one of only 5 places in the World with a Clear Sky status. I think the Rich brothers set themselves an incredibly hard task in trying to evoke a sense of the night sky in a garden that is viewed in the daytime. But what I really liked was the looseness of the planting which somehow created a very pleasant atmosphere – it felt like a space I would enjoy sitting in.
I also quite liked Huge Bugg’s Waterscape Garden which illustrated ideas for gardeners to collect and reuse rainwater. Hugo is the youngest designer, 26 I think, to win a Gold at Chelsea. Whilst this wasn’t a garden I would like for myself I liked the fact that Hugo hadn’t replicated the, in my view, use of rectangles and squares which designers seem to rely on in these spaces. I liked the angular use of the hard landscaping which I understand is meant to replicate naturally occurring geometric patterns although that reference was lost on me. It was also nice to see the mass planting of Iris siberica, which made a change on the bearded irises that proliferated in some gardens as they always do at the Chelsea show.
Moving into The Great Pavillion I was spoilt by the displays. Due to the heat of the day the scent from the roses on David Austin’s stand was quite intoxicating. Sadly the Pavillion wasn’t as busy with press as the show gardens and I always feel that there isn’t enough coverage of this area but then many of the press are looking for something unusual or a special story and whilst the nursery displays are stunning, showcasing extraordinary plantsmanship and skill they don’t sell papers. I was so distracted by the displays or talking to one of the bloggers I encountered that I forgot to take lots of photographs but here are some highlights.
I was particularly struck by the Jacques Amand display due to the large number of Cypremedium calceolus that was planted out. A plant you rarely saw until the last few years due to an extensive breeding programme. Hopefully in a year or so the price will come down or I will be brave enough to have a go with one. I also have a fascination with Arisaema and although I have a few in the garden they are not as spectacular as these.
Hiller Nurseries have a substantial stand in the middle of the Pavillion but this is always a stunning display which you can often walk through, although whenever I went there it was closed as they were waiting to be judged or hosting special guests. I love Hiller’s displays as they always show how you can make wonderful plant combinations. One side of the display was a white garden but I preferred this more colourful section.
Needless to say I couldn’t resist a display of ferns. This time by Rickards Ferns who I haven’t seen before but I will definitely be checking out their website.
Finally, moving away from plants here are some sculptures that I really liked. The showground is crammed with trade stands full of all sorts of sundries, art works and things you never knew you needed in your garden. Most of it I ignore as it is either not to my taste, such as the large shell encrusted T-Rex, or way past my budget. However, I was entranced by the work of Jonathan Knight so much I had to take some photographs. I am sure these are rather pricey and never something I could afford but there was just some sort of emotion to them that struck me.
So those are my highlights of the RHS Chelsea Flower Show 2014 – there is another display that quite my fancy but I will post that tomorrow as my Wordless Wednesday.