It’s funny how you can trek all over the place, even all over the world, and yet it turns out that there is a wonderful gem of a garden right under your nose and you had no idea.
Perrycroft turned out to be such a garden today. Situated just over the Malvern Hills from me, nestled just below the ridge and with panoramic views of British Camp and out across Herefordshire towards the Black Mountains of Wales, the house and garden were stunning and I wasn’t alone in this opinion.
The house was the first commissioned the renown Arts and Craft’s architect, CFA Vosey received for a house. Vosey had started his career designing wallpaper and furniture and was very inspired by William Morris, Pugin, the Arts and Crafts Movement, Art Nouveau and railed against the over decorative approach of the Victorians.
“Never look at an ugly thing twice. It is fatally easy to get accustomed to corrupting influences.” (CFA Voysey)
The white walls and green woodwork are peculiar to his designs and I was completely transfixed by it. The green works so well with the lawn and surroundings and really ties the house into its location.
Adjacent to the house is the formal garden studded with topiary. I really liked the simple alternating approach of the blocks of sedum and grey foliage but more so that you look down into the square which gives you an interesting viewpoint and reminded me of the medieval gardens which had raised walkways around them.
The topiary continues down into the next part of the formal garden. You don’t really get a sense of the slope in the photograph above but they are quite steep and it is interesting that the owners haven’t been tempted to put in lots of horizontal terracing to tame the slope – in fact the box squares working down the slope actually emphasis the slope.
The chickens are demonstrating the steepness of the slope in the shadow of their topiary cushion. I have said many times before that I am not a huge fan of hedges and garden rooms mainly because I find them claustrophobia but this wasn’t the case at Perrycroft – there was a luxurious generosity of space in each area.
A sense of movement is achieved going down the slope with the repetition of key plants and colours as you can see with the asters and I like the way the verbena bonariensis is planted in front of the dark purple berberis hedge.
There is a wonderful exuberance in the planting which is as generous as the space. It is clear that a confident hand is behind this garden. The owner, Gillian Archer, is very much a hands on gardener and is ably assisted by two full-time gardeners hardly surprising when you consider there are 10 acres to tame and manage.
If ever there was an example of how wonderful a late summer border can look here it is. The borders positively glowed with colour.
As I have said there are 10 acres and aside from the formal gardens there is a woodland and also a wilder area with a chain of three ponds working their way down the slope, a couple of wildflower meadow type areas, an orchard and a vegetable area.
Throughout the garden are these very high back benches and I wonder if they are based on Voysey designs. My research tells me that he liked to design the house including the furnishings and I understand that he partly designed some of the garden are Perrycroft. It seems to me that the benches are reminiscent of his style.
The number of photographs I take of a garden are always a good indicator of whether I am enjoying it, am inspired by it or, as in this case, just bowled over. When Voysey died in 1941 amongst the various tributes to his contribution to design and architecture was one from Pevsner, a German born art historian who commented:
“…he never regarded himself as the great artist whose genius must be respected and accepted without querying. He built what was to be useful and enjoyable, that was all. Hence the undated perfection of the best of his work. … his [pattern] designs were so perfectly balanced between stylization and love of nature that the best of them have, to my mind, never been surpassed. Voysey believed in a humane, homely, honest life, in simplicity with domestic care and comfort, and in leisure judiciously and pleasurably spent amidst trees and flowers. … the essence of his work and his personality does not belong to our age but to an age gone for ever.”
Perrycroft opens under the National Garden Scheme